A Time To Love - Press Release
Soul Tracks
Where Is He Now - Wonder's first new studio album in a
decade
Chris Rizik
For the past two decades Stevie Wonder has suffered. Not from his
race nor from his blindness, but from the unrealistic expectations
created by his early solo work, all of which stands as among the best
music of its era. So the curse of being perhaps the singularly most
talented artist of his generation is that an album like 1986’s In Square
Circle, which would have been career album for most artists, was
dismissed by musical elite as “forgettable.” Granted, Wonder spent most
of the 80s and 90s playing in – but not often expanding - the field that
he tilled in the 70s, but his skill as a songwriter always remained
intact and compelling.
So, here we are, on the eve of the release of A Time 2 Love,
Wonder’s first studio disc in a decade, and the musical world will again
be divided, with one side consisting of those who unrealistically expect
Wonder to again redefine popular music, and those who accept that there
is much to enjoy in Wonder’s brilliantly understated writing and his
always bright voice even when he is not paving new ground. I’m in the
latter camp and can find joy just hearing Wonder again. But those
feelings are helped by the fact that this really is his crispest, most
interesting album since Jimmy Carter was in the White House.
Traces of Wonder’s past glories can be heard throughout A Time 2
Love, but the album is in no way derivative. Rather, his legacy is so
pervasive and broad that it is tough not to find an element of a “Boogie
On Reggae Woman” (“Tell Your Heart I Love You”) or an “Overjoyed”
(“Passionate Raindrops”) on the album. And while the radio has played
the upbeat “So What’s the Fuss” and “From the Bottom of My Heart” to
death, they are far from the album’s high points. As is the case with
Wonder’s latter albums, there are a slew of great slow songs, from the
smoky “Moon Blue” to “Can’t Imagine Love Without You” to the beautiful
“True Love.” But the album’s pinnacle is the beat-heavy duet with Kim
Burrell, “If Your Love Cannot Be Mine,” a magnificent blend of Gospel,
African beats and funky Soul.
Lyrically, the disc is typically ethereal, but with strong social
commentary on issues of passivity and hypocrisy (“If Your Love Cannot Be
Mine”), infidelity (“Please Don’t Hurt My Baby”) and a society of hate
(“A Time 2 Love”). Wonder will no doubt receive criticism for some for
his pop tendencies on the disc (particularly the intentionally upbeat
“Positivity” and the big ballad “Shelter In the Rain,”), but his
performance on each is sufficiently strong that they work.
There’s no doubt that I wanted to like A Time 2 Love, but thankfully
Wonder made it easy. The fact is that, at age 55, Stevie Wonder has
again shown that he is not only ahead of his aging rock peers, he is
really without peer.
Highly recommended.
http://www.soultracks.com/stevie_wonder.htm