A Time To Love - Press Release
Stevie Wonder's 'Love' is worth the wait
Saturday October 08
"A Time to Love" is Stevie Wonder's first studio album since 1995's
"Conversation Peace," though for much of this year it seemed as if the
wait might be even longer.
Planned release dates came and went, and still Wonder tweaked and
fiddled with the final product, leading some to believe the album would
never actually come out. Always a perfectionist, Wonder told Billboard
the delays were ''just a matter of getting it right."
And, for the most part, "A Time to Love," currently available on
Apple's iTunes and slated to be released in stores Oct. 18, gets it
right. At 55, Wonder's distinctive voice is in fine shape, and it's
great to hear him after having to endure such wan imitators as Justin
Timberlake and Usher.
If nothing else, Wonder gets props for resisting the now-typical
tack of veteran artists these days -- namely, loading up their albums
with younger, radio-friendly artists. Certainly, that was a winning
formula on Carlos Santana's ''Supernatural" and Luther Vandross's final
studio album ''Dance With My Father." Still, whatever those albums'
achievements, one could never escape the fact that such
demographic-driven duets diluted the final product in yet another
cynical triumph of marketing over music.
Of the 15 tracks here, there are only three duets -- gospel singer
Kim Burrell on the opening track, "If Your Love Cannot Be Moved,"
India.Arie on the nine-minute title song, and Aisha Morris, Wonder's
daughter (and the inspiration for his classic ''Isn't She Lovely") on
the ballad ''How Will I Know."
"If Your Love Cannot Be Moved" is one of Wonder's best songs in the
past two decades. Opening with a human beat box that blends into
traditional percussion, it's a vital, dramatic tune with an urgent
string accompaniment threading between Wonder and Burrell's well-matched
The mood quickly shifts with the midtempo "Sweetest Somebody I
Know," which sounds like a more lanquid version of ''Bird of Beauty"
from 1974's "Fulfillingness' First Finale." Still, even at 4 1/2
minutes, the song feels long. For several songs, Wonder settles into an
adult-contemporary lull with ''Moon Blue" and ''From the Bottom of My
Heart," but picks up the pace with the funky ''Please Don't Hurt My
Baby," and it's a welcome change. The album bounces easily between
delicate ballads like ''How Will I Know" (not a cover of the Whitney
Houston song) and the predictably upbeat "Positivity," which manages to
be sunny without becoming cheesy.
Comparable to 1985's "In Square Circle," "A Time for Love" is an
enjoyable album that should be judged on its own merits. No, it doesn't
compare with Wonder's 1970s masterpieces such as "Innervisions,"
"Talking Book," and "Songs in the Key of Life." Then again, little else
produced by anyone in the last three decades does.